Antiquities, the World Is Your Homeland
Egypt

Antiquities, the World Is Your Homeland


New York Times (Edward Rothstein)

James Cuno's new book has generated a lot of interest in the media and on individual blogs. He has published this book at a good time, when issues of repatriation and the ownership of heritage are very much in the forefront of discussions amongst those concerned with the management of art and heritage collections. If you need a username and password for this article enter "egyptnews" in both fields.

To what culture does the concept of “cultural property” belong? Who owns this idea?

It has, like much material property in the last 50 years, often changed hands. And in doing so, it has also changed meanings and grown in importance. It now affects the development of museums, alters the nature of international commerce and even seems to subsume traditional notions of property.

It was brought to modern prominence in 1954 by Unesco as a way of characterizing the special status of monuments, houses of worship and works of art — objects that suffered “grave damage” in “recent armed conflicts.” In its statement Unesco asserted that such “cultural property” was part of the “cultural heritage of all mankind” and deserved special protection.

But the framers of that doctrine with its universalist stance would hardly recognize cultural property in its current guise. The concept is now being narrowly applied to assert possession, not to affirm value. It is used to stake claims on objects in museums, to prevent them from being displayed and to control the international trade of antiquities.

It is critically surveyed in an illuminating new book, “Who Owns Antiquity? Museums and the Battle Over Our Ancient Heritage” (Princeton) by James Cuno, the director of the Art Institute of Chicago and former director of the Harvard University Art Museums. The idea is as troubling as Mr. Cuno suggests.

See the above page for the full story.

If you are interested in this topic, David Gill keeps tabs on heritage ownership news and issues on his Looting Matters blog.





- Book Review: Who Owns Antiquity?
Expedition, Volume 51 (Review by Praveena Gullapalli) Thanks to Richard Vijay for sending this link. The book review dates back to summer 2009 but I managed to miss it! In the light of all the recent conversations re repatriation the book is still very...

- More Reviews Of Cuno's Who Own's Antiquity?
Here's a round-up of some of some of the reviews of James Cuno's book Who Owns Antiquity? It is a completely random selection. Archaeology Magazine (Roger Atwood) Wall Street Journal (Eric Ormsby) New York Times (Edward Rothstein) If you are...

- Book Review: Who Owns Antiquity?
modernghana.com (Dr Kwame Opoku) So far the only reviews that I have seen of James Cuno's book Who Owns Antiquity have been very positive, and his book has most usefully inspired some good dialogue on the subject of the "ownership" of heritage. This...

- Forum: International Cultural Property Society
http://www.culturalproperty.org/forum/index.php A new cultural heritage forum has been formed by to support the International Journal of Cultural Property (Cambridge University Press). The Discussion forums of the International Cultural Property Society...

- Convention Concerning The Protection Of The World Cultural And Natural Heritage
"The General Conference of the United Nations Educational, Scientific and Cultural Organization meeting in Paris from 17 October to 21 November 1972, at its seventeenth session,Noting that the cultural heritage and the natural heritage are increasingly...



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