Exhibition: Coptic Art Revealed
Egypt

Exhibition: Coptic Art Revealed


Al Ahram Weekly (Nevine El-Aref)

The first ever locally curated exhibition on Coptic art was unveiled to the public yesterday, when the open courtyard of the Amir Taz palace in the district of Al-Khalifa hosted dozens of Islamic and Coptic religious leaders, official guests, journalists and photographers at the grand opening of the Coptic Art Revealed exhibition.

On show are 205 artefacts from the Coptic Period that have been especially selected to celebrate the centennial of the Coptic Art Museum. The museum was founded in 1910 by an influential Copt, Marcus Pasha Simaika, who established it next to the famous Hanging Church in Old Cairo. The Coptic Art Museum was renovated by the Supreme Council of Antiquities (SCA) and reopened in 2006.

Culture Minister Farouk Hosni said Coptic Art Revealed was the first locally- curated exhibition on Coptic art. It focuses on the splendours of the Coptic era and highlights the Copts' outstanding contribution to Egypt's diverse and rich heritage.

Ahram Online (Nevine El-Aref)

With slideshow
Soft, classical tunes filled the evening air at the open court of the Mamluk-era Al-Amir Taz palace, as light, winter breeze frisked the dimly-lit trees. The atmosphere was serene and enchanting at of the grand opening of the Coptic Art Revealed exhibition, celebrating the centennial of the Coptic Art Museum. Founded in 1910 by an influential Copt, Marcus Pasha Simaika, the museum was built next to the famous Hanging Church in Old Cairo. The Museum was renovated by the Supreme Council of Antiquities (SCA) and was reopened in 2006.

The exhibition displays 205 objects that were put in a dramatic-themed setting, revealing the splendour of Coptic art and shedding light on Copts’ outstanding contribution to Egypt’s divers and rich heritage. The exhibition takes guests on a voyage back to early Christianity, when the holy family fled to Egypt. It also shows how this new religion survived among other old religions, illustrating the overlap of Pharaonic, Craeco-Roman and early Christian motifs.




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