Meresamun is thought to have worked and lived in the temple of Thebes around 800BC. Her name, shown in an inscription on the casket, means ‘She Lives for Amun’ – an Egyptian god.
According to the inscription she was a priestess-musician who served as a ‘Singer in the Interior of the Temple of Amun’. The scans suggest she was about 5ft 5in and in her late 20s or early 30s when she died.
The cause of Meresamun’s death is unknown and all the more mysterious since she
appears to have been in good health.
The state of her bones shows she had a nutritious diet and an active lifestyle.
Although she bore no signs of dental decay, her teeth were worn down by the grit in Egyptian bread, which was made from stone-ground flour.
Dr Michael Vannier, professor of radiology at the University of Chicago, who examined the scans, said they reveal "no convincing evidence of child bearing". He added: "There is no evidence of pre-mortem bony trauma."
In the first ever use of a 256-slice scanner on a mummy, the scans show that Meresamun's eyes were decorated with jewels or pottery. They also reveal that her teeth, though worn down, show no sign of decay. "Remarkably all the teeth are present. [There is] no evidence of tooth decay or periodontal disease (the principal cause of tooth loss in modern humans)," Vannier wrote.
Earlier attempts to carry out scans of Meresamun's caskets in 1989 and 1991 produced only blurry images. It was thought they showed what could have been a tumour on her throat that may have killed her. The new images suggest that swelling around the neck was resin used by the funeral embalmers.
"The Life of Meresamun: A Temple Singer in Ancient Egypt," focuses on the life of a priestess-musician in Egypt in about the year 800 BC. The exhibit’s centerpiece is the coffin and mummy of Meresamun who probably lived in Thebes.
The exhibit illustrates the duties of a temple singer and explores what her life was like inside, as well as outside, the temple. Her temple duties are illustrated by a selection of objects she would have used including a sistrum, an ivory clapper, a harp, and cult vessels. Other objects document ritual activities that she would have participated in, such animal cults and the consultation of divine oracles.
The section of the exhibit on her life outside the temple includes an examination of the social and legal rights of women in ancient Egypt and what professions were open to them. Examples of dishes, jewelry and cosmetic vessels show what sort of objects would have been in her home. Religious rituals enacted within the home are illustrated by objects related to ancestor cults and others that sought to promote fertility.
In preparation for the exhibit, the mummy of Meresamun was examined by CT scans at the University of Chicago Hospital with the newest generation of Philips scanners. A video in the exhibit reports on the examination of mummy, her health, and offers a virtual unwrapping and 3-dimenations reconstructions of her face and body.
A fully illustrated catalogue accompanies the exhibit.