More re new Nebamun gallery at the British Museum

Who says accountants are boring? Some of the ancient world's most entrancing paintings celebrate the life of a man who kept tallies for a living. And this month, freshly restored, they at last go on show again for the first time in almost ten years, when the British Museum opens a new gallery. This will be dedicated to the display of 11 large wall fragments from the tomb chapel of a relatively low-ranking Egyptian official named Nebamun, a grain accountant who, almost three and a half millennia ago, served the great deity Amun, then the official god of the state. A golden age of Egyptian painting unfurls. These preserved images are among the most famous, most fascinating and most artistically fresh of their day.

When we think of the Ancient Egyptians, we tend to think of the rituals of death. Certainly, the hordes of schoolchildren who daily head for the British Museum's Egyptian galleries come to gaze at the eerie solemnity of the elaborate mummy cases; to thrill at the corpses in their horror-movie bandages; to squirm at the stories of brain-extracting hooks. The mummies are to this great historical collection what the dinosaurs are to the Natural History Museum. They are a guaranteed crowd puller - and all the more popular for their gruesome whiff of the grave.

But if you imagine that the visitors who can now wander on from the mummies into the museum's newest gallery will find only more of the same, think again. The paintings might have come from a tomb; but they have far more to do with life than death.

Here, in what surely counts among the British Museum's most celebrated treasures, is a virile young Nebamun hunting in the Nile marshes, navigating his slender barque among feathery reeds that teem with birds of all species and fluttering butterflies. His fat tabby cat clearly can't believe its luck: as it seizes one flapping waterfowl in its whiskery jaws, it pins down the two songbirds that have already fallen prey to it with greedy claws.