As the saying goes, King Tut wasn't born in Texas, but he got here as soon as he could.
Judy Pearce admired the hieroglyphics on the gilded coffin of Tjuya on Friday, the opening day of 'Tutankhamun and the Golden Age of the Pharaohs' at the Dallas Museum of Art.
In this case, it took 33 centuries.
But Friday's arrival of "Tutankhamun and the Golden Age of the Pharaohs" at the Dallas Museum of Art got a warm greeting from the locals.
Wearing a striped King Tut headdress, Lynn Jones of Mesquite got in line at 6:30 a.m. – an hour and a half before the doors opened.
A self-described history buff, Ms. Jones said she bought her Dallas tickets as soon as she heard they were available and had seen the exhibit two previous times in Los Angeles.
"When I saw it in LA, it was great," she said. "I loved it."
Her favorite part of the exhibit was "a gold coffin," she said.
"It's just amazing that this stuff is still around."
Aaron Scrimager, 33, a Navy diver, arrived a few hours behind Ms. Jones, but he had farther to travel, from Japan. He came to the show with Rie Yoshimaru, 33, who now lives in Australia.
Mr. Scrimager said he and his family tried to attend the "Ramses the Great" exhibition at Fair Park in 1989 but could never get in.
They had no intention of missing King Tut.
Mark Lach, the celebrated designer of the Tutankhamun exhibits, admits that some have panned the latest Tut display for being a bit too "theme park-y."
But as "Tutankhamun and the Golden Age of the Pharaohs" makes its way to the Dallas Museum of Art, he argues that with so many stunning relics to see, no Hollywood gimmicks could possibly detract from its splendor.
"There's no question that exhibits are becoming more theatrical, but you can never allow theater to be emphasized more than the objects themselves," said Lach, senior vice president of Arts and Exhibitions International, the Ohio-based company that negotiated the U.S. tour agreement with Egypt.
"Even the most traditional of museums use better lighting that's more theatrical than it was 20 years ago," he said.
"Tutankhamun and the Golden Age of the Pharaohs" drew nearly 4 million visitors during its two-year tour of four cities that ended in September 2007.
That tour was the successor to the King Tut spectacle of the 1970s that ushered in the era of blockbuster museum shows.
The exhibition opened at the Dallas Museum of Art on Friday, the first stop of a much-anticipated three-city encore tour.