I’m the curator of the exhibition Journey through the afterlife: ancient Egyptian Book of the Dead, which opens at the British Museum on 4 November 2010. The exhibition is the result of years of work behind the scenes in planning, preparation and research. It’s exciting to be able to focus on these special documents and to have the rare opportunity to display such a variety of them.
‘Book of the Dead’ is a modern term for a collection of magical spells that the Egyptians used to help them get into the afterlife. They imagined the afterlife as a kind of journey you had to make to get to paradise – but it was quite a hazardous journey so you’d need magical help along the way.
The Book of the Dead isn’t a finite text – it’s not like the Bible, it’s not a collection of doctrine or a statement of faith or anything like that – it’s a practical guide to the next world, with spells that would help you on your journey.
The ‘book’ is usually a roll of papyrus with lots and lots of spells written on it in hieroglyphic script. They usually have beautiful coloured illustrations as well.
When it comes to scary monsters, the ancient Egyptian devourer is always going to be hard to top.
With the head of a crocodile, the body of a lion and the hindquarters of a hippo, it is certainly more exotic than the average Halloween outfit.
And, though it sounds risible now, for centuries in Egypt the grim fear of meeting this evil, "cut 'n' shut" beast on the other side of death helped to shore up an entire system of belief, a system shared by pharaohs and artisans. In fact, the devourer played a key part in one of the most intriguing tenets of faith humankind has yet come up with: The Book of the Dead.
Next month, the most comprehensive exhibition to be staged on this ancient doctrine of denying death will open inside the Reading Room at the British Museum.
It will showcase, for the first time, the entire length of the Greenfield Papyrus, which, at 37m, lays out each detailed stage of a journey the ancient Egyptians believed they would all have to make when mortal life had slipped away.
On display, too, will be a succession of paintings taken from the papyri of Hunefer and of Ani, probably the two most famous works to depict the many episodes, or trials, that together constitute The Book of the Dead.