New Book: Whose culture?
Egypt

New Book: Whose culture?


Princeton University Press

The international controversy over who "owns" antiquities has pitted museums against archaeologists and source countries where ancient artifacts are found. In his book Who Owns Antiquity?, James Cuno argued that antiquities are the cultural property of humankind, not of the countries that lay exclusive claim to them. Now in Whose Culture?, Cuno assembles preeminent museum directors, curators, and scholars to explain for themselves what's at stake in this struggle--and why the museums' critics couldn't be more wrong.

Source countries and archaeologists favor tough cultural property laws restricting the export of antiquities, have fought for the return of artifacts from museums worldwide, and claim the acquisition of undocumented antiquities encourages looting of archaeological sites. In Whose Culture?, leading figures from universities and museums in the United States and Britain argue that modern nation-states have at best a dubious connection with the ancient cultures they claim to represent, and that archaeology has been misused by nationalistic identity politics. They explain why exhibition is essential to responsible acquisitions, why our shared art heritage trumps nationalist agendas, why restrictive cultural property laws put antiquities at risk from unstable governments--and more. Defending the principles of art as the legacy of all humankind and museums as instruments of inquiry and tolerance, Whose Culture? brings reasoned argument to an issue that for too long has been distorted by politics and emotionalism.

In addition to the editor, the contributors are Kwame Anthony Appiah, Sir John Boardman, Michael F. Brown, Derek Gillman, Neil MacGregor, John Henry Merryman, Philippe de Montebello, David I. Owen, and James C. Y. Watt.

James Cuno is president and director of the Art Institute of Chicago and former director of the Courtauld Institute of Art and the Harvard University Art Museums. His books include Who Owns Antiquity? and Whose Muse? Art Museums and the Public Trust (both Princeton).


See the above page for endorsements and a table of contents.




- Is Nationalism Such A Dangerous Phenomenon For Culture?
Museum Security Neetwork? Thanks to Kwame Opoku for the link to the above article, entitled Is nationalism such a dangerous phenomenon for cultural and stolen/looted cultural property? The article is available for download in PDF format on the above page....

- Book Review: Who Owns Antiquity?
modernghana.com (Dr Kwame Opoku) So far the only reviews that I have seen of James Cuno's book Who Owns Antiquity have been very positive, and his book has most usefully inspired some good dialogue on the subject of the "ownership" of heritage. This...

- Antiquities, The World Is Your Homeland
New York Times (Edward Rothstein) James Cuno's new book has generated a lot of interest in the media and on individual blogs. He has published this book at a good time, when issues of repatriation and the ownership of heritage are very much in the...

- Book Interview: Who Owns Antiquity? James Cuno
The Canadian Press "That belongs in a museum!" Indiana Jones was scolding one of his many enemies, the last we heard from the hunky archaeologist, 19 years ago. He has returned to the screen in the much-awaited sequel "Indiana Jones and the Kingdom of...

- Who Owns Antiquity?
The Wall Street Journal (James Cuno) For years, archaeologists have lobbied for national and international laws, treaties, and conventions to prohibit the international movement in antiquities. For many of these years, U.S. art museums that collect antiquities...



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